links

Dance Interactive link: http://www.dance-interactive.com/main.html

Dance Interactive shop: http://www.dance-interactive.com/ishop.html

on Loie Fuller: http://www.behindballet.com/infinite-light-the-dance-of-loie-fuller/

Ryan Platt's archive for dance: http://ryanplatt.net/category/dance/

Patterns That Connect blog/ The Spatiotemporal Dimensions of Abstract Art and the Genesis of Modern Architecture by Ross Wolfe

: https://patternsthatconnext.wordpress.com/2011/09/11/the-spatiotemporal-dimensions-of-abstract-art-and-the-genesis-of-modern-architecture-by-ross-wolfe-guest-blog/

ghostcatching / Upon its premiere in 1999, Ghostcatching was described as having made complementary what had before been diametric: the combination of technology and humanity.: http://www.lcinstitute.org/about-lci/works-of-art/item/81-ghostcatching

Deleuze, Writing and Difference: Google Books

Inside Movement Knowledge / Inside Movement Knowledge is a two-year collaborative, interdisciplinary research project into new methods for the documentation, transmission and preservation of contemporary choreographic and dance knowledge. The overall aim is to contribute to dance’s artistic and professional development and enhance the potential of its social benefits by making it more accessible for specialist and general audiences.: http://insidemovementknowledge.net/

Motionbank / In dem 2007 erschienenen Essay „Apropos Partituren” hat Rebecca Groves, ehemalige Geschäftsführerin der US-amerikanischen Forsythe Foundation, William Forsythes Ansatz „zur Schaffung einer neuen Art von ‚Tanzliteratur‘ für eine breite und interaktive Leserschaft“ vorgestellt. (1)
Mit Motion Bank wird dieser Ansatz verwirklicht. Die großzügige Unterstützung des Projekts ermöglicht es, digitale Online-Partituren in Zusammenarbeit mit Gastchoreographen zu erstellen und diese im Internet zu veröffentlichen (siehe Partituren) sowie sich an Ausbildung undForschung im Bereich der Entwicklung von Partituren zu beteiligen. http://motionbank.org/resources/

Openended Group / William Forsythe’s methods of choreography are strikingly algorithmic and give rise to a style of movement and interaction that is distinctively his own. This conversation between Forsythe and Kaiser was recorded in 1998 and later published in Performance Research, v4#2, Summer 1999. .......
 http://openendedgroup.com/index.php/publications/conversations/forsythe/

William Forsythe Dance Company http://www.theforsythecompany.com/publikationen.html?&L=

Fluxus: http://www.kunstwissen.de/fach/f-kuns/o_mod/ono.htm

Creassida READING LIST: 
1) http://www.scribd.com/doc/54967672/Buchloh-Allegorical-Procedures
2) http://www.realtimearts.net/article/108/10622

Laban reading / 12 directions of movement: http://books.google.co.uk/books?id=Czjdy1q8lS0C&pg=PA69&lpg=PA69&dq=laban+12+direction+of+movement&source=bl&ots=N9NkV85eXT&sig=5--hCUNfgC7-G22gL_EMuf20N1E&sa=X&ei=9ZUyUJOwCcen0QWW74HgDA&redir_esc=y#v=onepage&q=laban%2012%20direction%20of%20movement&f=false

http://www.arthistoryunstuffed.com/tag/hans-arp/